Chiang Mai · Bangkok · Paris · Tokyo · Kyoto · Milan · New York · Seoul
Fourteen outcasts.One sacred weave.A maison reborn.
Two dogs founded the house. The masters who joined it are a cat, a chick, a tortoise and a panda — because when the factories forgot how to do this, the ones who remembered were not who anybody expected.

In the atelier
Golden Palms — €249
Batch 01 — 50 numbered cuts
The live chronicle
Fourteen chapters. None of them end.
Told a minute at a time, in the shape a phone holds. Three threads run underneath and none of them are written to resolve — a house is not a thing you complete.
The house
Two founders. Twelve masters.
The atelier
Batch 01 — fifty numbered cuts
Hand-reeled in Northern Thailand, hand-rolled to order. Fifty is not a marketing number — it is how many one pair of hands can finish before the season turns.

Golden Palms
€249
Four-Ply Thai · 6h by hand

Chrysanthemum
€249
Four-Ply Thai · 6h by hand

Orchid
€249
Four-Ply Thai · 7h by hand

Heritage Hemp Pochette
€89
Hand-loomed hemp · 2h by hand
The ledger
What you are actually paying for
- The silk
- Four-ply Thai, reeled by hand. A skilled reeler makes enough for two scarves in a day.
- The hem
- Forty minutes per edge. Four edges. It cannot be hurried and it cannot be delegated.
- The number
- Fifty per batch, numbered on the label. When they are gone the print is not cut again.
The laboratory
Five hundred votes cuts it for real
Drawn, not made. Everything here is labelled a concept on its own card, because a house that blurs the line between what it imagines and what it ships only gets to do it once. Back one and we cut fifty.
Concept — not for sale
The Paris Jacket
Quilted silk, cut like a bomber. Drawn after a week of showing the scarves in Paris.
Concept — not for sale
The Kimono
A full silk kimono, wrapped and tied at the back. Absurd, and we keep drawing it anyway.
The list hears first
New chapters and new batches, before they go anywhere else.
- Hand-rolled silk, made in small batches
- Presented in person to luxury boutiques in Paris
- In conversation with the Jane Goodall Institute













